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Portfolios Transform Writing
Assessment at Carleton College
Editor's Note: In September 2004,
AAC&U's board of directors released Our Students'
Best Work: A Framework for Accountability Worthy of Our Mission,
a statement that urges all colleges and universities to focus
their educational planning and assessment efforts on a set
of outcomes essential for success in today's world. The statement
noted that there is a strong consensus emerging among educators
as well as business, policy, and civic leaders that higher
education must "embrace a small number of highly valued and
widely affirmed educational goals, establish high standards
for each, and assess their achievement across the curriculum."
Many AAC&U member institutions have already made progress
in organizing their curriculum and assessment programs around
these goals. These institutions' innovations provide valuable
models for how to effectively advance and comprehensively
assess the outcomes that form the core of a contemporary liberal
education. Over the next several months, AAC&U News
will highlight several of these models, focusing on the key
learning outcomes described in Our Students' Best Work.
A recent study by the National Commission
on Writing has shed light on a disturbing trend: at a time
when writing increasingly is seen as a fundamental skill for
professionals, many employers are reporting that college graduates
have difficulty communicating in clear, grammatical prose.
This finding, drawn from a national survey of business leaders,
has economic as well as educational implications. According
to the study, businesses in the United States may spend as
much as $3.1 billion on remedial writing instruction each
year, with many additional dollars lost as a result of inefficiencies
related to poor writing. To prepare graduates for the contemporary
workplace, the commission concludes, educators need to develop
more comprehensive and sustained ways of teaching and assessing
writing.
Carleton College, a private,
liberal arts institution in Northfield, Minnesota, is one
of a growing number of schools developing new strategies to
improve and assess students' writing skills. Carleton has
long emphasized "writing across the curriculum"—distributing
writing instruction in many classes and throughout the disciplines—and
in 2001, the college introduced sophomore writing portfolios
to broaden its assessment of student writing. Required midway
through every student's college career, the writing portfolios
enable the college to ensure that undergraduates can write
competently in a range of styles and contexts. At the same
time, by encouraging students to reflect on—and revise—their
writing, the portfolios themselves constitute an important
educational experience.
A New Writing Requirement
Carol Rutz, the director of the
writing program at Carleton College, has overseen the school's
transition from its old "single course" model of writing assessment
to the use of writing portfolios. By the time Carleton decided
to abandon the old model, she says, there was a broad consensus
among students and faculty that assessments based on writing
from a single class were inadequate. But when the school decided
on portfolios as a new assessment vehicle, it faced a different
set of challenges. Portfolio assessment requires large amounts
of time and money and significant administrative oversight.
"The wealth of data comes at a price," Rutz says, "but we
are finding—even after a very short period of implementation—that
gains made in faculty development and student self-awareness
are well worth the investment."
To meet the school's current
portfolio requirement, students at the end of their sophomore
year must submit three to five papers demonstrating their
ability to write effectively in different rhetorical and disciplinary
contexts. The papers must be "authenticated" by instructors,
who certify that the papers were written for their classes
and indicate if they have since been revised. Finally, students
write reflective essays about their writing to introduce the
portfolios.
Requiring such a breadth of written
work—as opposed to the narrower sample of student writing
produced in single course writing assessments—tends to foster
healthier attitudes toward writing. Clara Shaw Hardy, a professor
in the Department of Classical Languages who is active in
the portfolio program, notes that the breadth requirement
"eliminates the perception that writing is something to be
checked off after one course rather than a skill that underlies
most of an undergraduate's education." Moreover, she says,
"it honors the fact that different disciplines value different
kinds of writing skills."
Professor Hardy stresses that her
own approach to teaching—like that of many of her colleagues—has
also been "radically affected" by participation in the writing
program. "I now regularly require drafts, use peer feedback,
and incorporate a wide range of formal and informal writing
assignments in my courses," she says. Faculty development
programs, including grants for course development, workshops,
and speaker series, contribute greatly to such successes.
Indeed, in the 2003-04 academic year, 41.5 percent of tenured
and tenure-track faculty participated in grant-funded activities
related to the writing program.
Evaluating the portfolios,
a task Carleton assigns to a volunteer group of "faculty readers,"
provides another opportunity for faculty development. Associate
Dean Elizabeth Ciner, who has been involved in the writing
program at Carleton for almost three decades, points out that
faculty readers gain a broad perspective on the state of student
writing on campus. And these faculty members inevitably learn
from what they find: "To see what others are doing in their
writing assignments, to see how well students can write, to
see what gives students general difficulty . . . all of this
is possible reading portfolios."
Assessing the Portfolios
During assessment, faculty
readers assign one of three scores to every writing portfolio:
"pass," "exemplary," or "needs work." These scores are determined
according to locally developed standards, says Jacqulyn Lauer-Glebov,
Carleton's coordinator of educational assessment. Such locally
developed assessments have several advantages over national
standards-based assessments. Unlike high-stakes, "snapshot"
assessments such as the new SAT writing test, Lauer-Glebov
says, portfolios offer a flexible assessment model that can
document a range of ability.
Carleton's evaluation criteria emphasize
the demonstration of this range. Each portfolio must represent
at least two of the college's four curricular divisions (Arts
and Literature, Humanities, Social Sciences, and Mathematics/Natural
Sciences) and must include at least one paper from the student's
"Writing Requirement" course. Together, the papers must also
demonstrate their author's mastery of each of several key
writing skills—the ability to report on observation, to analyze
complex information, to provide interpretation, to use and
document sources, and to articulate and support a thesis-driven
argument.
In addition to assessing the student's
success in these areas, faculty readers also provide feedback
on the quality of writing. Each portfolio is rated on whether
it "rarely," "usually," or "consistently" demonstrates attention
to audience and purpose, clarity of prose, clear organization,
effective use of evidence, distinctive voice, appropriate
diction, and control of error.
At the end of the assessment process,
about 8 percent of portfolios typically are rated "needs work"
(an average of 78 percent receive a passing grade, with 14
percent earning "exemplary"). Students who do not pass the
writing assessment resubmit their portfolios after receiving
written suggestions and, if needed, personalized counseling.
Looking Ahead
As more information becomes available
about the strengths and weaknesses of portfolio-based writing
assessments, Carleton's writing program will continue to evolve.
Some aspects of the program, such as the treatment of failing
portfolios, have already come under scrutiny. As Carol Rutz
points out, assessing student writing midway through college
affords Carleton "a chance to intervene with students who
need help," but students whose portfolios do fail still receive
help only on a case-by-case basis. Adopting a more formalized
approach to working with these students could strengthen the
program.
On the other hand, early data already
is indicating some positive trends. For example, an analysis
of portfolio contents suggests that Carleton's faculty development
efforts have paid off: a statistically significant correlation
has been found between faculty participation in development
activities and the presence of papers in portfolios, with
students more likely to include papers from courses taught
by faculty who have been active in the writing program. This
finding, Jacqulyn Lauer-Glabov explains, suggests that "as
faculty become more conscious of the writing they ask of their
students, students respond by selecting that work to represent
their writing mastery."
Ciner hopes that the effects
of such successes will extend beyond student writing. The
writing program itself, she says, is "becoming a model for
all sorts of curricular initiatives—and our experience in
portfolios is guiding us as we consider other aspects of the
curriculum." These initiatives—which target other key learning
outcomes such as information literacy, interdisciplinary learning,
quantitative reasoning, and critical thinking—promise to
interact with the writing program in fruitful ways and continue
the transformation of undergraduate learning at Carleton.
For further information about Carleton
College's writing
portfolios, visit the writing program's Web pages. The
results of the survey
from the National Commission on Writing are also online.
AAC&U's recent accountability statement, Our
Students Best Work, offers a blueprint for assessment
efforts at American colleges and universities. For more information
about innovative writing programs in colleges and universities
today, see the special
issue of Peer Review on that topic.
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