Making the Case for Liberal Education
The Liberal Arts as a Bulwark of Business Education
William Durden
From Chronicle
of Higher Education, July 18, 2003
The spate of revelations about ethical wrongdoing, greed,
financial fabrication, and executive arrogance in corporate
America these days has shaken confidence in Wall Street and
cost millions of investors significant sums of money. Such
crises beg for correctives, and many observers are calling
upon higher education to serve as an improving, enlightening
force. Well, don't count on salvation any time soon—especially
from many colleges and universities with liberal arts at their
core.
David L. Kirp, a professor of public policy at the University
of California at Berkeley, and Jeffrey T. Holman, a graduate
student in economics at Berkeley, observed in The American
Prospect (October 7, 2002) that efforts to apply business
practices to traditional colleges and universities elicit
cries from faculty members who contend that such measures
will move higher education to "the dark side" or
are simply "gauche."
In a similar vein, throughout my 25 years in higher education,
I have encountered countless alumni with liberal-arts educations—both
from small liberal-arts colleges and from universities that
offer liberal-arts courses—who are embarrassed that
they hold jobs in the business sector. They express dismay
that their former professors in the arts, humanities, social
sciences, and even the sciences tell them in no uncertain
terms that they have made a "Faustian bargain" and
are living a "tarnished" life. With such outright
condemnation from their respected mentors, those graduates
tell me that it is difficult to think of themselves and their
occupations as other than lacking in virtue.
It wasn't always this way in America. For a brief period,
at least, some higher-education leaders appreciated fully
the benefit to the nation when liberal education and commerce
were equally valued and occupied common intellectual space.
Benjamin Rush, a signer of the Declaration of Independence,
who, with John Dickinson, founded Dickinson College and helped
establish several other colleges and universities, proposed
in his writings a distinctively American form of higher education.
Rush wanted institutions to produce citizen-leaders who possessed
the comprehensive knowledge and virtue needed to build a just,
compassionate, economically sustainable democracy. He promoted
a liberal-arts education that would be useful and applicable
for all graduates, no matter what their occupations or service—including,
unequivocally, business.
For Rush, commerce and manufacturing were defining parts
of that democracy to which liberal-arts education provided
intellectual capital. In a 1769 letter, he stated emphatically,
"There is but one expedient left whereby we can save
our sinking country, and that is by encouraging American manufacturers.
Unless we do this, we shall be done forever."
In proposing this distinct form of liberal-arts education,
which placed a premium on "usefulness," Rush exhibited
his outright disdain for the higher-education system he experienced
in England. There, higher education was purposefully ornamental
and elitist—and reserved for those who were already
wealthy and privileged. The notion of applying learning to
advance society was simply nonexistent.
Rush was harshest, however, in his criticism of those colonial
institutions of higher learning that, he judged, had not yet
grasped in mission and curriculum the distinctly American
education needed by the "new and peculiar state of our
country" —in which, as he noted in a 1795 lecture
at the University of Pennsylvania, "the business of the
principal part of the inhabitants is to obtain the first and
most necessary means of subsistence." It was equally
regrettable, he said, that "no accommodation has been
made in the system of education ... to the new form of government
and the many ... objects of knowledge that have been imposed
upon us by the American Revolution."
The "accommodation" that Rush sought for undergraduate
students called for a useful education that was grounded firmly
and progressively in the liberal arts but that also encouraged
students to explore emerging branches of knowledge and communicate
across subject areas. He argued strongly, for example, for
a radical reduction in the teaching of Latin and Greek, which
he thought of as dead languages. Instead, he advocated the
introduction of modern languages, like German, French, Spanish,
and Italian, which he believed would connect students more
immediately to the intellectual, political, and commercial
activities of the day.
Rush also thought that a redefined liberal-arts education
should embrace natural history, geography, divinity, mathematics,
logic, moral philosophy (including government and the laws
of the nation), grammar and rhetoric, and the natural sciences.
He particularly emphasized the importance of studying the
then-emerging field of chemistry, which he believed had the
capacity to connect seamlessly to other areas of new knowledge
and would be of critical importance to the new, fragile nation
to "admit of an application to agriculture, manufacturers,
commerce, and war."
For American higher education, Rush's legacy—as well
as that of several contemporaries, such as his good friend
Thomas Jefferson—was to offer to a scrappy nation, born
directly out of a revolution, an ultimately practical vision
of the liberal arts. That vision gave the new country an education
blueprint designed to prepare and commit college graduates
to the useful responsibilities of building a democracy—
through work in commerce and government as well as in cultural
and spiritual institutions.
Regretfully, many colleges that offer a liberal-arts education
today deny that legacy vigorously, if unknowingly. Instead,
they often pursue a protective "purity" for the
liberal arts and ignore, or even belittle, the world of business
as too crass for association. Ironically, such institutions
promote an elitism more closely aligned with the British tradition—one
that America's founders judged inappropriate for the more
inclusive and progressive ambitions of our nation.
It is time for the leadership of undergraduate liberal-arts
institutions to move beyond arguments for pursuing liberal
arts exclusively on the basis of "intrinsic worth"
and to embrace instead an imperative derived from the historic
compact among the liberal arts, business, and democracy. It
is time to educate graduates whose hubris and exaggerated
ambition are tempered and balanced by studies that aim to
challenge one's understanding of oneself and to prepare one
to function intellectually and morally in a complex world.
It is also time for education leaders to affirm publicly
that a liberal-arts education is not a mere luxury without
practical consequence, but rather encompasses a distinctive
preparing of students for positions of corporate leadership.
It is time for administrators and faculty members to embrace
with pride their graduates who pursue careers in business
and finance and to incorporate, both philosophically and structurally,
business into the intellectual core of the liberal-arts curriculum.
Rush's emphasis on a broad-based, diverse course of study
also rejected any thought of a narrowly focused, vocational
education, which has become the model for far too many business
majors today. To him, a graduate's success was dependent upon
a fundamental study of the liberal arts and the general reasoning
and moral skills that they offered. The singular and separate
approach that many colleges take to an undergraduate business
curriculum represents a fundamental misunderstanding of the
distinctively American approach to preparing undergraduate
students for business leadership. Pursuit of the liberal arts—which
contain those subjects that explore the fullest range of human
thought, action, emotion, and character—was expressly
intended by Rush and others like him as the most useful preparation
for a life of business accomplishment and leadership.
While a liberal-arts education doesn't guarantee integrity
or protect the self from its own evils, it does offer students
the best chance to grow intellectually and morally. It provides
our best opportunity to produce leaders with positive character
and intent. A separatist strategy is not the educational corrective
to corporate greed. Nor is it the best way for students to
form a comprehensive intellectual and moral identity. Rush
and Jefferson knew as much centuries ago.
Contemporary leaders of liberal-arts colleges and universities
must recommit to that insight in practice. They must advance
the agenda of diverse, creative coursework, internships, and
field studies—regardless of major—where thoughtful
considerations of business theory and application surface,
and where questions of intent, equity, leadership, and integrity
prevail. And if their institutions offer business or finance
courses, those must be complemented with extensive study of
the humanities, sciences, social sciences, and the arts. A
liberal-arts education in America historically intended such
diverse pursuit. Such action is not a sign of academic failure
or compromise, but rather the fulfillment of a noble and useful
purpose through higher learning.
© 2003 William Durden
William Durden is president of Dickinson College and
a former vice president for academic affairs of the Caliber
Learning Network, a distance-learning venture. He was also
a first-generation college student.
The Presidents' Campaign for the Advancement of Liberal
Learning is supported by a grant from the Carnegie Corporation
of New York. For more information contact Bethany Zecher Sutton
at 202-387-3760.
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